unknow artist Related Paintings of Anonymous :. | Cena religiosa | Saint Dorothea meditating in a landscape | Child with toy soldiers | Santa Maria della Salute painting | Portrait of Petrus Albertus van der Parra | Related Artists:
Ellen Day Hale1855-1940
was an American painter and printmaker. She was born in Worcester, Massachusetts, her family was involved in the arts, her father Edward Everett Hale was an author, her great-aunt Harriet Beecher Stowe wrote Uncle Tom's Cabin. She studied art under Boston painter William Morris Hunt and helped raise her 7 brothers and sisters. Later she studied in at the Academie Julien in Paris.
Francois-Auguste Biard(June 30, 1799 - June 20, 1882) was a French genre painter.
Born at Lyon, he traveled around the world, sketching on the way. He was particularly successful in rendering burlesque groups.
His painting, Scenes on the Coast of Africa, depicted on the right, was the inspiration behind Isaac Julien's short film The Attendant (1993). Biard was a known abolitionist against the Atlantic slave trade.
Wikimedia Commons has media related to: Auguste François Biard
This article incorporates text from the public domain 1907 edition of The Nuttall Encyclopædia.
Anthony Van Dyck Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.